
A lost twenty-something and their boisterous best friend encounter Dante Alighieri in 21st century Los Angeles, where they embark on a night-long journey across identity and language.
'Zombieland: Double Tap' was entertaining and fun at times, but not very evolved. It had poorly developed female characters and stereotypical characters of color.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.
Animation as a medium of storytelling can be thought to be open to all ages and as I hope my readings will reveal, they could be interpreted as transgender stories.
This holiday movie serves as the prequel to the TV series The Really Loud House.
Telling a story about the French and Indian Wars from the perspective of the British prioritizes the perspective of the colonizers.