"The Woman in Cabin 10" (2025) Should Have Stayed Faithful to the Book
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.

A young adult named, Juanito "Jay" is struggling not to follow in his fathers footsteps. Jay's life changes dramatically when an old friend is released from prison, and they cross paths, stirring up a past life of bad habits. Jay, with the weight of his financial difficulty, and family responsibility, is presented a choice that could devastate his life.
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
By depicting 4 different stories, Director Sergio Tovar Velarde keeps the focus on the shared humanity and search for love (both self and romantic) of various gay Mexican men.
The heroes of the Mushroom Kingdom make their way to the big screen in this animated movie.
Ripley is a great character because she serves two distinct, but rewarding, purposes in the original film and the sequel.