Halloween Flicks Pt. 2
Four more classic horror films that are entertaining even if occasionally absurd.

We are now in the early 18th century, the Kyouhou era, when the merchant culture was flourishing. In Yoshiwara, the red light district of Edo, there is a popular courtesan with good looks and character, called Usugumo. She in fact is a daughter of a Christianized prostitute and Tokugawa Yoshimune (who was a real historical character and the 8th Shogun of Japan), but the power struggle in these times doesn't allow her to be with her father. Her fate is about to change when she meets the blond haired thief, Kikunosuke. With Kikunosuke, a doctor named Aoto Touichirou, who uses the yet unfamiliar Western medicine, and her pet cat, Kotetsu, Usugumo forms a thief group, the Kikugumi. In the meanwhile, a member of a mysterious group appears, aiming for Usugumo...
Four more classic horror films that are entertaining even if occasionally absurd.
Darren Aronofsky’s Caught Stealing is a gritty, darkly funny thrill ride through 1998 New York, with Austin Butler delivering a raw, magnetic turn as Hank Thompson—a washed-up ex-ballplayer turned bartender whose life implodes after cat-sitting for his punk neighbor drags him into a violent underworld of gangsters, crooked cops, and chaos. Brutal yet unexpectedly hilarious, the film blends noir grit with midnight-movie absurdity, proving Aronofsky can reinvent himself while Butler cements his status as a true movie star.
Battles will come and go and queer people do die for their identity and fights for rights, but that doesn’t mean the gays don’t deserve their happy endings in stories.
"13 Going on 30" tracks the tricky transition from adolescence to adulthood.
Honey Don't! is a chaotic queer noir that's part detective story, part midnight movie madness. Margaret Qualley is fantastic as the wise-cracking private eye Honey, with Aubrey Plaza and Chris Evans adding their own dry humor to the mix. The mystery itself is pretty loose, but the film makes up for it with crackling sexual tension, weird side characters, and razor-sharp dialogue. It's messy and uneven, but in the best possible way.
A recent look at gender and racial diversity in film shows some signs of progress. However, white men still make up the vast majority of actors and directors in top-grossing films.