
When Denis returns from Cambodia, his mother tells him that his father has disappeared, apparently a runaway. But the mystery reigns around this case. Denis decides to see Eva again, the woman who encouraged him to leave France, but the young woman also disappears. Little by little, he finds himself trapped by the mystery of her disappearances.
Poor Black characters are usually surrounded by crime and violence, while poor White characters are portrayed as noble and hard-working.
One Christmas Eve, after a sudden snowstorm, a group of teenagers will discover how their lives will change forever.
A complex, realistic, and loving mother-daughter relationship is at the heart of this story about Black pageants and the fight for a better future.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
By depicting 4 different stories, Director Sergio Tovar Velarde keeps the focus on the shared humanity and search for love (both self and romantic) of various gay Mexican men.