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The Franke kids seemingly lived a normal life, until their mom met the infamous Jodi Hilderbrandt.

This animated kids' movie shows viewers two different species--jungle animals and aliens--and how both species coexist.

By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.

The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.

These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.

After years of mediocrity, Thunderbolts* is the welcome change MCU fans were waiting for.