Once Upon a Time in (White) Hollywood
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.

A slick, womanizing magician and his pretty assistant perform regularly at a hotel cabaret. They are having an affair with each other, as well as with several other employees at the venue. When one waitress spurns the magician's advances, the assistant hypnotizes her so that she will yield to his advances. Complications ensue.
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.
As many of us know, Marvel Studios has taken an interest in women-led superhero films, but some of us are oblivious to the women behind the camera and pen.
Though often underwhelming as a whole, Nevertheless is worth the watch because of the relationship between Sol and Jiwan. It is a stunning, refreshing take on the friends to lovers trope that LGBTQ media has been missing.
Given a choice between a man and a mountain, it’s safer to choose the mountain.
The animated musical adventure beings fantasy and magic to viewers as they follow Keegan and Moya.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.