Sirāt: No Lesson to Learn
The one-way journey went to the desert that refused to offer an answer or a transcendence.

Skin presents a dynamic performance by Meg Harper, a dancer whose affiliation with the Merce Cunningham Dance Company dates to the 1960s. Close-ups of Harper’s creased and scarred skin highlight how time is etched onto the body. The suggestion that memory is both a mental and physical imprint is further emphasized by the appearance of emotive passages from Robert Glück’s book About Ed (2023), which recounts his partnership and friendship with the artist Ed Aulerich-Sugai during Ed’s physical decline and death from AIDS-related illness.
The one-way journey went to the desert that refused to offer an answer or a transcendence.
A wholesome love story that's perfect for fans of romance movies and animal lovers.
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.
Asha, the main character, is a biracial woman who discovers the power of magic wishing dust.
This magical reboot introduces a new set of Charmed ones, much to the ire of fans of the original series.
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.