"Kajillionaire": A Strange, Beautiful, and Gentle Story of Lost and Found Home
'Kajillionaire' is a touching and eccentric story about family, crime, and the search for belonging.

In the vicinity of Tajín, several schools teach the art of the Papantla Flyers, attended by Dana, Said, Jairo, and Sarahí. These four children introduce us to the magic of this Totonac dance. As they train to become flyers, they share legends of how new generations can fly and save the region from drought. To achieve flight, they must overcome fear, practice discipline, and keep dreaming like all children.
'Kajillionaire' is a touching and eccentric story about family, crime, and the search for belonging.
One of my favorite aspects of My Movie Starring Paul Dano is its blend of illustrations and dream sequences within its mockumentary structure. As the script is written, we are shown how the movie Bear Naked Amazonians From Mars looks in Herman’s head, with all its retro b movie campy charm.
“Trust your gut" is one of the most common pieces of advice you’ll receive during your lifetime. And as a person inclined to trust my intuition above all else, it’s the most common advice I find myself giving in real life and in my online socialising. But what happens when your gut is trying to warn you that something is seriously wrong without you being able to identify what triggered it in the first place? How can you act on a feeling or make it go away when you don’t have a clue about what could be wrong? How can you trust your intuition when you don’t know what makes it act out in the first place?
"Driveways" is a nuanced portrait of an Asian American family, touching on themes of loss, growth, and belonging.
Based on a true story, when his beloved dog goes missing, the owner embarks on an incredible search with his parents to find him.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.