Lou (29) is a present-day nomad. Forever in search of the ultimate kind of freedom, she’s long ago blocked out what it is she is actually running from. At home everywhere and nowhere. Living a now-now life. Click and - next, please. Until she meets Aro (35) and Aro is different. Even if he preaches the same sermon: Just make sure not to define the status of the relationship you’re in and enjoy the summer while it lasts, not committing to anything. And yet, without looking for it, they get under each other’s skin. Now there are expectations, jealousy nags and contradicts their frantic pursuit of independence. All of a sudden, Lou does not know anymore what it is all about. Where does she come from? Where does she belong?
The “gay best friend”, an age-old trope, has been done in countless films and television series. Ranging from one-note (Sex and the City's Stanford and Mario) to nuanced (Unbreakable Kimmy Schmidt's Tituss), the gay best friend exists to support and advise the main protagonist, with their conflicts swept to the side.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
"Terrace House" improves on the standard reality TV format by affording its cast privacy, freedom, and respect.
Cord Jefferson's hilarious and thought-provoking film continues a long-standing cinematic tradition, expanding the conversation around the impact of systemic racism in today's media.
The "Daredevil" renaissance is finally upon us! As we return to the Netflix show, let's take a look at the ways the show gets blindness right and wrong.
Stylish, slow, and somewhat standoffish, Human Resource examines corporate life from the perspective of a female HR employee as she interviews job candidates while also deciding whether to keep her newly discovered pregnancy.
