“Buddy” and Analogue Horror
Upon first watch, Buddy feels like it should have been aired on Adult Swim at four in the morning.

Once a year, in a colourless uchronia, people disappear at random. The day before, the tradition prompts each person to get a portrait drawn of themselves, as a last piece of legacy to leave behind. This is the story of Eyea, a sketch artist, as her isolated existence gets interrupted by a colorful stranger.
Upon first watch, Buddy feels like it should have been aired on Adult Swim at four in the morning.
Kat Wahlen’s The Whiteboard tells, or rather shows, a delightful love story between two young women who meet in detention.
Rip Tide is a coming-of-age film that teaches viewers about finding yourself and reconnecting with surroundings.
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.
The more biting satire is reserved for those on top of the power structure, such as the police, while those occupying lower levels are given more nuance and likability, even if they operate on the wrong side of the law. This principle gives Deep Cover its heart.
With a quirky outline, Project Hail Mary stays within the bounds of human language and imperial fantasy.