'EXmas' (2023)
Holiday hijinks ensue when a recently separated couple are both accidently invited to same holiday celebration.

It’s an average day in an unassuming courtroom in 1979 when Anne, a courtroom illustrator, gets her world turned upside-down as a convict, and the love of her life, Simon, enters the room and she plunges into a world of her wildest dreams.
Holiday hijinks ensue when a recently separated couple are both accidently invited to same holiday celebration.
Considering the runtime, I expected each scene to hit harder as opposed to a series of montages and vignettes.
On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf," but all the more insightful, and much more animalistic at its core.
Based on the novel by Jennifer Mathieu and directed by Amy Poehler takes on intersectional feminism.
With a quirky outline, Project Hail Mary stays within the bounds of human language and imperial fantasy.
At 2:17 a.m., every child in a third-grade class wakes up, leaves their home, and disappears into the darkness—except one. The next day, teacher Justine Gandy discovers that Alex Lily is the only student left, while the rest have vanished without a trace. Did Justine have something to do with it, or is a far more sinister force stalking the town, targeting not just children, but anyone in its path?