Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Skeleton Flowers poster

Skeleton Flowers 

High school student, Yo, lived with her father, Nao, after her mother, Sachiyo, left the family when she was very young. However, their life together came to an end and they started a new life as a family of four with her father's second marriage partner, Miko, and her stepdaughter, four-year-old Hinata. She confides in Riku, who belongs to the same art club as Yo, about her confusion about this new life. Yo, who has been developing curiosity for her biological mother, Sachiyo, promises to go with Riku to Sachiyo's art exhibition.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


High school student, Yo, lived with her father, Nao, after her mother, Sachiyo, left the family when she was very young. However, their life together came to an end and they started a new life as a family of four with her father's second marriage partner, Miko, and her stepdaughter, four-year-old Hinata. She confides in Riku, who belongs to the same art club as Yo, about her confusion about this new life. Yo, who has been developing curiosity for her biological mother, Sachiyo, promises to go with Riku to Sachiyo's art exhibition.

Rating:
Genre:Drama, Romance, Family
Directed By:Rikiya Imaizumi
Written By:Rikiya Imaizumi, Kaori Sawai
In Theaters:
Box Office:

Runtime:115 minutes
Studio:DUB, Nagoya Broadcasting Network, TEN CARAT

Articles You May Like


Who Needs 'Independence Day' When You've Got 'Sorry to Bother You'?

Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.

Matt Geiger

"First Girl I Loved": A Well-Intended but Ultimately Flawed Story of Identity

Despite its glaring flaws, First Girl I Loved is not entirely undeserving of a watch. For people who can handle the more difficult aspects of the story and graphic scenes, it is worth looking into. It’s not a film worthy of rewatch, but it may still resonate somewhat with those who need a story like this. It is a genuine, if flimsy attempt at a coming-of-age tale. Were the film to be directed by someone with experiences more similar to Anne, it would likely be more powerful--as it is, it feels like a man’s perspective of what it means to come to terms with your identity as a lesbian. 

Marisa Jones