‘También la Iluvia’: A Lesson in Shallow Representation
'También la Iluvia' exploits Indigenous peoples' fight against the privatization of water in order to tell a story about Spanish characters.
Skagit
Four friends leave Seattle for a weekend in a remote, rain-soaked corner of Washington State's rustic Skagit Valley. The foreboding October landscape begins to warp their minds, plunging each of them into alternate realities where they must grapple with personal demons, sexual tensions, and a sinister natural world as they claw their way back to sanity.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Four friends leave Seattle for a weekend in a remote, rain-soaked corner of Washington State's rustic Skagit Valley. The foreboding October landscape begins to warp their minds, plunging each of them into alternate realities where they must grapple with personal demons, sexual tensions, and a sinister natural world as they claw their way back to sanity.
Rating:
Genre:Horror
Written By:Nick Thompson
In Theaters:
Box Office:
Runtime:97 minutes
Studio:Foghorn Features
Articles You May Like
'Godzilla vs. Kong' : Yes, I'm Still Team Kong
The latest MonsterVerse film delivers everything it promised.
Tragedy Girls
Many call 'Tragedy Girls' a modern-day 'Heathers', and I do see the resemblance. The film asks the same question that all teenagers suffer with: who am I? Well, the movie answers this — you are your online presence.
Stowaway: Netflix's Latest Space Hit
In Stowaway, director Joe Penna narrates the story of a starship crew (Anna Kendrick as Zoe Levenson; Toni Collette as Marina Barnett; and Daniel Dae Kim as David Kim) struggling with serious technical problems on a two-year mission to Mars. During the trip, they discover aboard the presence of Michael (Shamier Anderson), a stowaway who jeopardizes everyone’s life on board.
The End of “The End of Oak Street” is Oak Street
An attempt to capture nostalgia that unfortunately just doesn’t work
Queer Friendship is Complicated in "Lakeview" (2024)
Tara Thorne’s film is equal parts emotional and comedic, illustrating the beauty and the pain of long term relationships.