Films that Avert the Idea Animation’s Only for Kids
I hate the idea that animation’s for kids; just because it’s animated doesn’t mean that it’s some silly cartoon and shouldn’t be taken seriously.

Bizarre, salacious story about a former fat singer getting herself killed by a host of possible candidates. It seems that Rachel has a thing for younger men including her own son. A terrible actor poses as a policeman and we hear various characters go through their whereabouts at the time of Rachel's demise as well going into detail about their relationships with her with him brooding over what they say.
I hate the idea that animation’s for kids; just because it’s animated doesn’t mean that it’s some silly cartoon and shouldn’t be taken seriously.
We’ve always known that Edgar Wright is a mixologist when it comes to blending sound, light, colour, and texture. This is especially true in the first act of the film. In fact, all of my positive feedback is directed exclusively at the first act of this film.
Who knew a drunken game of truth or dare could launch one of the most chaotic rom-coms of the year? The Threesome takes Connor’s fantasy night with Olivia (Zoey Deutch, in peak queen-of-indie form) and Jenny (Ruby Cruz) and flips it into a deliciously messy nightmare when both women end up pregnant. What follows isn’t cheap comedy—it’s a whip-smart, heartfelt exploration of love, consequence, and the beautiful disasters we call adulthood.
The most impressive aspect of this film is the honest and natural performances given by the on-screen duo.
Our protagonists perform as the opposite gender while still preserving the parts of their personalities that makes themselves who they are.
Welcome to the first episode of the Incluvie Movie Highlights! We shine a spotlight on our favorite new movies that stand out for diversity and identity. Is Everything Everywhere All at Once too weird, or just the right amount of weird?