'The Polar Express' (2004)
A wondrously imaginative, diverse, and spirited allegory of childhood and the arduousness of adulthood.

With contributions from David Holmes, Christy Moore, Imelda May, Don Letts, BP Fallon and more, this documentary reflects on Sineád O’Connor’s influence on Irish life and people. Five months after her shocking passing, SINÉAD revisits the late singer’s tumultuous life and the film is both a deeply sad and celebratory tribute. Drawn together from RTÉ’s own expansive archive of her TV appearances and footage from around the world, it is an absorbing take on a story that many of us already know very well. However, looking back now after her death, the film pulls into sharp focus just how brave and defiant Sinéad really was.
A wondrously imaginative, diverse, and spirited allegory of childhood and the arduousness of adulthood.
Overall, Sand Castle was another lack luster war drama that will eventually fade into the many similar war dramas I have seen throughout my life.
But what many do not know is that in 2019, a Wonder Woman film was released that had all of the positive qualities of WW84, and remedied many of the negative ones. Wonder Woman: Bloodlines, a direct-to-video animated movie in the DC Animated Movie Universe, perfectly balances the campiness and seriousness of the character.
'An American Werewolf in London' possesses a possible queer reading in the way it envisions a heterosexual romance being undone by the presence of a creature who embodies self-contentment in the face of social alienation.
In a film where a Black couple is framed to be the lead characters, they still managed to get shuffled off to the sidelines. The enthusiastic cast delivers well on goofy bits- but can only go so far before they begin to fall flat.