What Sinners Gets Right About Family, Fear, and the Fight to Stay Human
The quiet ache of guilt sitting at the dinner table, the silence after a truth is buried, and the way pain is passed down like a name.

As youths in Azusa, Vinnie, Carter, and Rosie pull off a racing scam, substituting winners for plodders and winning big bucks on long odds. When an official uncovers the scam, they set him up for blackmail. Jump ahead twenty years, Carter and Rosie are married, successful racers in Kentucky about to sell their prize stallion, Simpatico. Vinnie is a drunk in Pomona. Vinnie decides to make a play for Rosie, lures Carter to California, steals his wallet and heads for Kentucky with the original blackmail material. Carter begs Vinnie's friend, a grocery clerk named Cecilia, to follow Vinnie and get the stuff back that he has in a box. Will she succeed?
The quiet ache of guilt sitting at the dinner table, the silence after a truth is buried, and the way pain is passed down like a name.
Although Fargo is not actually based on a true story, I do believe it is worth the watch. It has drama, suspense, and a mysterious figure to keep you engaged.
The film basically says she was a lost cause from the start. We don't get a sense of who Marilyn was.
Disney has a glaring and, up until recently, unaddressed issue that spans nearly its entire lifetime - an absence of diversity.
Two Distant Strangers (2020) centers around Carter James (Joey Bada$$) as he tries to get back home to his pitbull, Jeter, after spending a night at the apartment of his date Perri (Zaria Simone). What gets in the way of Carter reuniting with his dog is that every time he tries to leave Perri’s apartment, he is killed by police and wakes up back in her bed in a never-ending cycle. It addresses the issue of police brutality which rightly has been in the public eye more and more with the unjust deaths caused at the hands of law enforcement.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.