Carr plays Anna Webb, whose husband John (Lynn Hammond) invents a new kind of sewing machine. The patent makes the family wealthy, and after Webb dies, Anna takes over the business. She puts her sons John (Percy Helton) and Harry Joseph Striker) in charge of the factory, while daughter Ruth (Jane Thomas) elopes. When Harry steals some money, the blame falls on John, who leaves town.
There were too many irrelevant parts that could have been shortened, and too many characters that didn't advance the plot. Either way, some things didn't add up. This was just another played out plot with little, if any, originality in it. By the end of the film, I wasn't happy that she finally got her freedom, I was happy that it was finally over.
The movie makes it abundantly clear that Meeka becoming an official heir is the most likely going to happen. But if you are expecting to see a movie about Meeka’s perseverance and eventual ascent to the throne, prepare to be deeply disappointed.
Netflix’s new rom-com, Voicemails for Isabelle (dir. Leah McKendrick), isn’t just heartwarming, funny, and an achievement in female directing - it’s also an instant classic. Following 20-something aspiring baker Jill (Zoey Deutch), Voicemails for Isabelle tells a story of grief, self-discovery, and fateful connections. Ever since her beloved sister Izzy’s (Ciara Bravo) death, Jill has been leaving her hilarious, extremely TMI voicemails about her chaotic love life and miserable day job as a prep cook. Little does she know that a handsome and unsatisfied real estate agent in her hometown has inherited the number and practically fallen in love with her by listening to her stories.
This thrilling film about feminine rage and male hostility is an incredible depiction of the fragility of the male ego.
An unlikely friendship changes the hearts of men, and helps a young boy come into his own.
An action film led by two queens, fighting for what they believe in through power and pain.
