Chieri, who has never had romantic feelings for anyone and has no romantic experience, always feels lonely and out of place. Not only does she struggle with interpersonal relationships with close friends like Yuki, but she also finds it difficult to empathize with the characters in romantic movies, and is unable to respond well to the affections of her close male friend, Saito. One day, Chieri meets Shoya, a man who, like her, has no romantic feelings. The two hit it off and rejoice that they are not alone. However, despite their seemingly limitless similarities, there is one crucial difference...
It's not love. It's Obsession. The hook of this movie is the tension between wanting to be loved and the fear of being all-encompassed by that love. It plays on men’s typical (though certainly not universal) inner-conflict
The sequel to the first film, A Second Chance: Rivals! talks about Maddy combating cyberbullying and racism.
"Come Play" was entertaining and had some great ideas about how to scare children away from playing with facial recognition settings.
As this critic continues to look back at some of this Summer's films I have taken in, I would be remiss if I didn't mention one of the most overall unsettling trends in Hollywood over the last several years.....sequels, reboots, and remakes. Look, I am all for seeing more than one film for certain originals that made a splash, ie: "Jurassic Park", "Pirates of the Caribbean", "Transformers", etc.
'Ganja & Hess' is a 1973 experimental horror film, written and directed by the visionary auteur Bill Gunn. It was meant to be a straightforward blaxploitation film – but director Gunn had grander ambitions.
Disney remakes have often gotten a bad rap for their consistent reliance on the originals and overuse of CGI. However, Mulan is a remake that is able to transcend beyond Disney's other remakes with a confident and bold earnestness.
