The White Boy Saved Us All Again in Gladiator II
A direct fall into the white savior narrative

On a road in the deep Spain, a wanderer with no fixed course and light luggage awaits someone to take him somewhere. His name is Antonio and this is how he will end up in a small provincial town, where he will be involved in a plan to steal a canvas of incalculable value.
A direct fall into the white savior narrative
Chickenhare and the Hamster of Darkness explores true identity through exploration.
So with the recent (rightful) public apologies to Britney from comedians and media for trashing her image in the 2000s, perhaps some people should also give Crossroads the fair chance it deserves. It won't be everyone's cup of tea, and that is fine. Personally, I will take my girl Britney and her movie, over the next testosterone "Dude Flick" any day.
Han's turn to villainy in 'Frozen' was foreshadowed cleverly in the story.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
Many have interpreted Maya Deren’s Meshes of the Afternoon as a dream sequence, but what if the repetitive scenes we are given are not dreams but, a time loop.