Silva Varescu, a self-sufficient and professionally successful cabaret performer from Budapest, is about to embark on a tour of America. Three of her aristocratic admirers, named Edwin, Feri and Boni, prefer her to stay. Edwin, unaware that his parents have already arranged a marriage for him back home in Vienna, orders a notary to prepare a promissory note of his expected marriage to Silva within ten weeks.
Yan Frid
Director
Zhanna Glebova
Сильва Вареску, певица варьете «Орфеум»
Ivars Kalnins
Эдвин фон Веллергейм
Vitali Solomin
Бони, граф Бонифаций Канчиану
Mariya Solomina
Стасси, графиня Анастасия Эгенберг
Igor Dmitriev
князь Леопольд Веллергейм, отец Эдвина
Mikhail Svetin
граф Вильгельм Эгенберг, отец Стасси
Vladimir Basov
генерал фон Ронсдорф
Marina Yurasova
дама в варьете (нет в титрах)
Yelena Solovyova
Natalya Slitskaya
Aleksandr Bakharevsky
офицер
Some people’s first introduction to Mira Nair might be as New York mayor Zohran Mamdani’s mom. But with her insightful direction of 1991’s Mississippi Masala, Nair shows how much she deserves to be known as an artist. Delivering a nuanced portrait of a romance between a Black man and an Indian woman living in the South, Nair explores the complications each character faces, giving both equal weight.
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.
'City of God' depicts the cylindrical cycle of violence that is forced upon the underprivileged.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
The sequel following The Son of Bigfoot explores Adam's conflict of discovering his true identity as he tries to save a wildlife preserve.
There’s been a longstanding criticism of sci-fi films about its lack of Black characters. For the past few years, Anthony Mackie has been successfully representing Black masculinity in the otherwise homogenous genre and I am here for it.