'Malignant': A Fun, Wacky Horror with Feminist Undertones
Malignant is a roller coaster ride of slow-build scares, moments of wonderfully absurd camp, and explorations of autonomy.

In a prologue, as a woman pages through a book, male figures, including a musketeer, a cowboy, a swordsman and a military officer, appear and bow. In the main story, the visit of Prince Ferdinandi sends New York society ladies scurrying to purchase gowns for the upcoming ball. The woman seen earlier looking longingly at the book, model Marjorie Bowen, fights off the advances of Cadwallader Smith, who accompanies a patron. When handsome Sir Derwain Leeds, the prince's aide-de-camp, arrives to see his fiancée Yvette Fernau outfitted, Marjorie exchanges a shy smile with him.
Malignant is a roller coaster ride of slow-build scares, moments of wonderfully absurd camp, and explorations of autonomy.
There were too many irrelevant parts that could have been shortened, and too many characters that didn't advance the plot. Either way, some things didn't add up. This was just another played out plot with little, if any, originality in it. By the end of the film, I wasn't happy that she finally got her freedom, I was happy that it was finally over.
A film that focuses on an algorithm for a dating app that will bring viewers in for a surprise.
The multifaceted musical represents America in the 1960s and the battle against bigotry as an ensemble cast portrays how to fight for the limelight.
Overall, Lee Cronin’s The Mummy is plagued by numerous flaws, both from a quality and from a diversity standpoint. The film relies on gore and loud sounds to drown out its flat script, flatter dialogue, and one-dimensional characters.
This film manages to be simultaneously topical and timeless. Without being preachy, it highlights society’s flawed relationship with tech; insights into the complex ideas of family struggle are expertly dispersed among a perfectly paced and balanced story.