Avatar: Still a Groundbreaker in CGI, but Not in Story
I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.
Silhouettes
In the midst of a casting, the manipulative casting director Henri presents a constant stream of faces to Yvan an eccentric and provocative fashion photographer. A young woman named Julie momentarily offers a glimpse of the unseen. She is a paradox of fragility and brutality, of woman and child. Through a variety of circumstances the characters find themselves trapped in a world of lies and manipulation they are all taking part of. For Julie the line between fantasy and reality blurs. However in the casting sessions she finds something that she apparently needs. As all her defenses break down, it reveals what is the deepest and the most hidden in the young girl. A modern portrait of the ego and the human longing for recognition.
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Movie Information
In the midst of a casting, the manipulative casting director Henri presents a constant stream of faces to Yvan an eccentric and provocative fashion photographer. A young woman named Julie momentarily offers a glimpse of the unseen. She is a paradox of fragility and brutality, of woman and child. Through a variety of circumstances the characters find themselves trapped in a world of lies and manipulation they are all taking part of. For Julie the line between fantasy and reality blurs. However in the casting sessions she finds something that she apparently needs. As all her defenses break down, it reveals what is the deepest and the most hidden in the young girl. A modern portrait of the ego and the human longing for recognition.
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