Shang-Chi: Mental Health and Healing, Marvel Universe, and Awkwafina Humor
Suppressed intergenerational family trauma and healing, warm welcome to the Marvel Cinematic Universe team, and Awkwafina's humor really make this film the real MVP.

An old female voice narrates memories of growing up in a Singapore that no longer exists, the passing of a generation and her acceptance of death; deep into the night, mechanical fans rotate to the rhythm of passing wind, a mourner accompanied by restless phantoms and a lonely moth perched upon the yellow funeral tent; together they welcome the silent light of daybreak.
Suppressed intergenerational family trauma and healing, warm welcome to the Marvel Cinematic Universe team, and Awkwafina's humor really make this film the real MVP.
Considering the runtime, I expected each scene to hit harder as opposed to a series of montages and vignettes.
In a world where we hear ringers and beepers at every corner, technology feels inescapable. This is why technology is often an enemy in Digital J-horrors, like One Missed Call.
When diverse representation is featured on-screen, it oftentimes comes with strings attached that undermine the message they were trying to send. This can be attributed to the fact that behind-the-screen, the industry primarily does not reflect the breadth of diverse difference that is present in daily life. That’s why when something as powerful and authentic as Minari comes along, it is both incredibly wonderful and needs a large audience to witness it.
Released on Netflix this last July, Mile End Kicks, catches the eyes of those who are wanting to escape the disasters of 2026 and visit the era of peak Tumblr, unforgettable music hits, and iconic fashion trends—-of 2011. This coming-of-age film directed by Chandler Levack succeeds at portraying an accurate representation of what life was like in the early 2010’s.