Wanda Maximoff: The Hero We Deserve, Not The Villain We Need
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.

Mike is a married man whose life changes after a hidden affair leaves him HIV positive. Struggling with guilt, fear, and the impact on his marriage, he begins attending a support group. There he meets Wes, a gay man dealing with his own experiences and stigma around HIV. Through their conversations and growing friendship, the two men confront shame, secrecy, and the emotional fallout of the diagnosis. Their connection becomes a space for honesty and reflection as Mike re-examines his relationships, identity, and responsibility toward the people in his life.
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.
Four more classic horror films that are entertaining even if occasionally absurd.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
The idea of Rosemary's baby but with lesbian partners drew me in, and I was anticipating what the film had in store with its reimagining. Unfortunately, it all felt a little too vague to leave an impact.
Despite the film’s efforts to reframe its heroine with modern complexity, a certain emotional distance lingers.
“The most disrespected person in America is the Black Woman/the most unprotected person in America is the Black Woman,” Director Spivey Jr quotes. The quotes are absolutely true. Misogynoir is a devastating social ill that is not given the weight it is due.