Lindsay Lohan's Comeback in 'Falling for Christmas'
Lindsay Lohan makes a big film comeback in this amazing holiday comedy of the year.

From season ending injuries to a last place finish, it seemed like the Golden State Warriors were far from the dynasty that had taken the NBA by storm for the early part of a decade. As the rest of the basketball world moved on to the next contender, Stephen Curry and the rest of the Warriors continued working, just waiting for the opportunity to once again have their core healthy and sharing the court together again. This is the story of how Stephen Curry would once and for all cement himself as one of the NBA's all-time greats, with a memorable Finals MVP performance that earned him his fourth ring.
Lindsay Lohan makes a big film comeback in this amazing holiday comedy of the year.
Overall, Matthias & Maxime doesn't reinvent this romantic concept. But it also doesn't need to. Dolan weaves a story of love, friendship, and life that is both realistic and bittersweet. The film is nuanced and sensual in a way we don't get to see often with LGBTQ characters. It's a film that we can celebrate.
Battles will come and go and queer people do die for their identity and fights for rights, but that doesn’t mean the gays don’t deserve their happy endings in stories.
As this critic continues to look back at some of this Summer's films I have taken in, I would be remiss if I didn't mention one of the most overall unsettling trends in Hollywood over the last several years.....sequels, reboots, and remakes. Look, I am all for seeing more than one film for certain originals that made a splash, ie: "Jurassic Park", "Pirates of the Caribbean", "Transformers", etc.
I think that the happiness and survival of "Wynonna Earp"’s LGBTQ+ characters is incredibly refreshing in contrast to the prevalence of queer suffering and death in other television.
Despite its glaring flaws, First Girl I Loved is not entirely undeserving of a watch. For people who can handle the more difficult aspects of the story and graphic scenes, it is worth looking into. It’s not a film worthy of rewatch, but it may still resonate somewhat with those who need a story like this. It is a genuine, if flimsy attempt at a coming-of-age tale. Were the film to be directed by someone with experiences more similar to Anne, it would likely be more powerful--as it is, it feels like a man’s perspective of what it means to come to terms with your identity as a lesbian.