
# Who Doesn't Love a Husband The story follows Yunus who works as a company accountant while his wife Liza is a real estate agent and they have two children. Yunus is forced to tighten his belt in order to support all the family expenses while his wife is extravagant and constantly travels abroad alone. Meanwhile, Yunus's coworkers Ghani and Aziz commit a breach of trust by embezzling RM1 million from the company. They attempt to bribe Yunus but fail due to his honest nature. Yunus meets with his friend Osman and shares his problems. Following his friend's advice, Yunus disappears for almost a week and Liza, who becomes panicked, files a police report. She tries hard to search for her husband everywhere. However, her efforts remain unsuccessful. Yunus disappears without a trace and without any message. Meanwhile, the embezzlement scheme is later exposed when Ghani confesses to his guilt. Yunus wants to return to the embrace of his wife and family.
I hope that more people will see Joyland, understand the situation, and eventually change themselves and society so we can have a more accommodating world where everyday tragedies like the one depicted in the film do not occur.
Court TV shows offer uncritical eyes on the systemic inequalities of the legal world.
Unrelentingly funny, highly entertaining, and ridiculously absurd, My Movie Starring Paul Dano is, according to its creator, Joe Bartone, a tribute to the willful ignorance of independent filmmaking found in the late '70s in New York City. Developed through open discussions with the cast at the reading table, the mockumentary follows a delusional and fame-starved indie director, Herman Rumowicz, through the process of making his very first feature movie starring Paul Dano.
Paris is Burning elevated drag and ballroom into the public consciousness and permanently impacted LGBT culture. However, the performers featured in the documentary didn't reap the rewards of their visibility.
Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.