Umberto, Lucia and Corrado discover that their co-worker and friend Umberto is terminally ill, but they can't bring themselves to tell him. They decide instead to organize him an unforgettable holiday trip to the South.
Carlo Verdone
Director
Carlo Verdone
il Professore Umberto Gastaldi
Rocco Papaleo
l'anestesista Amedeo Lasalandra
Anna Foglietta
la ferrista Lucia Santilli
Max Tortora
Corrado Pezzella
Sergio Múñiz
Xabier
Elisabetta Cavallotti
Clara Lenzi
Pier Maria Cecchini
l'onorevole Rodolfo Montesanti
Alessandro Cremona
Romagnoli
Grazia Daddario
Maria Lasalandra
Mariana Falace
Albertina "Tina" Gastaldo
Gianni Franco
Architetto Lenzi
Even if Drive My Car (2021) doesn't win Best Picture, it exudes a palpable sense of dreariness and lifelessness that is further embodied by Yusuke, portrayed tragically by Hidetoshi Nishijima. Check out movie reviews & summary!
I’m still trying to comprehend the psychological and moral implications of their fascination with each other, or why their almost written-in-the-stars depth of connection makes so much sense.
Overall, 18 Presents feels more like a soap opera than a drama, and I feel bad for saying that since the concept is based off a tragic story (even though it’s loosely). I’m sure other people will find this film emotional for them, but as for me, it’s bland and forgettable.
How closely does an actor need to resemble a character or historical figure in order to portray them on the Silver Screen? Seems to depend on color.
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.
If Top Gun needed to say it, Top Gun: Maverick makes you feel the need... the need for speed.