'Hacks' Is Not a Hack…It's Comedic Perfection
Deborah (Jean Smart) and Ava (Hannah Einbinder) are a delight to watch evolve, sometimes devolve, then evolve again.

Our friends, who are driving down the coast for a holiday, have their plans interrupted when a man, gagged and bound, jumps in their car. They are presented with a difficult choice: help the stranger escape his captors or leave the man to his inevitable fate. Their choice sets off a chain of events as the stranger is found dead and the four friends are implicated for murder. With police, mobsters, politicians, and a fruitier all after them, the guys can trust no-one...not even each other.
Deborah (Jean Smart) and Ava (Hannah Einbinder) are a delight to watch evolve, sometimes devolve, then evolve again.
We chat with Penelope Lawson about her short film, The Dinner Party, her experience founding her own production company, and fun cinema.
If you want to feel the rush, you have to take the risk.
When diverse representation is featured on-screen, it oftentimes comes with strings attached that undermine the message they were trying to send. This can be attributed to the fact that behind-the-screen, the industry primarily does not reflect the breadth of diverse difference that is present in daily life. That’s why when something as powerful and authentic as Minari comes along, it is both incredibly wonderful and needs a large audience to witness it.
This film is a splendid mix of mediums, but its strength lies in its simplicity and beautiful message of closeness.
Our trilogy at Seabrook High School starts with a rivalry between zombies and humans who eventually come together.