Shootin' Mad (1918)

Kill Bill: Volume 1 is a highly entertaining flick, designed to tap into our levels of adrenaline. Tarantino has crafted a cinematic winner, overflowing with nostalgic richness and a love for cinema.

Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.

Ultimately the problem with The Bubble is that it plays everything for laughs to get around the audience’s defenses. But it comes off like a privileged white male thinking that ridiculing everyone else equally is the road to equality. And it’s not. And it's definitely not funny to pretend that it is.

It: Welcome to Derry proves you can have rich representation, real humanity, and still fully enjoy Pennywise terrifying kids in sewers.

A haunting look at grief, survival, and a mother’s quiet collapse in a world that never gave her room to fall.

Four more classic horror films that are entertaining even if occasionally absurd.