I Want to Spend 'Christmas With You'
A pop star at Radio City Music Hall gets the opportunity to change herself to save her music career.

Nan Moore is a U.S. government employee whose son is killed when Korean Air Flight 007 is shot down by Soviets on September 1, 1983. While the "official" story maintains that the flight accidentally veered too far into Soviet territory, was mistaken as a spy plane and shot down when it failed to identify itself, Ms. Moore suspects otherwise. However, in the course of her struggles to get to the bottom of what actually happened, she finds herself constantly stonewalled. Facing a conspiracy of silence and the increasing hostility of the authorities, Ms. Moore attempts to find out exactly what occurred, but with every answer she discovers, new questions arise...
A pop star at Radio City Music Hall gets the opportunity to change herself to save her music career.
I first saw Dear Evan Hansen on the Broadway stage. Apparently, I was so blown away by the magic of theater that I didn’t pick up on the questionable dynamics. The story's clumsy handling in the movie brought those issues to light.
Jordan Peele’s film is an intelligent and unflinching piece of work, firmly focused on the African American experience.
The film basically says she was a lost cause from the start. We don't get a sense of who Marilyn was.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
Throughout Brendan Fraser’s career, he has played a plethora of unique, layered characters who explore the importance of not being afraid to display your emotions, something that is often seen to not be a masculine trait. This idea of regulating emotion and what traits men are able to possess creates a toxic atmosphere for men who are often told they should not cry or represent their emotions in any physical way. These characters represent that men can be joyful, emotionally conscious, and sensitive, while also representing their masculine identity instead of painting those qualities as fighting against their masculinity.