NYFF Review - 'The Inspection' Unearths Empathy in the Trenches of Bootcamp
The film exhibits a respect for the craft and an empathy for human tribulations that have historically been ignored.

A stop-motion allegorical fable about the power of fashion magazines on self-image, and how everybody wants to look different instead of being content with themselves.
The film exhibits a respect for the craft and an empathy for human tribulations that have historically been ignored.
This is not a story of oppression but a story of liberation.
The nations of Wakanda and Talokan enter war over their opposing viewpoints on dealing with the destructive hearts of humankind on the surface world.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
This coming-of-age movie is about a group of girl trying to find their missing friend after a wild night none of them can remember.