Why "People We Meet On Vacation" Did Not Meet Its Full Potential
Emily Henry’s adaptation reaches romance movie standards, but not romance reader standards.

Mihoko runs Kitanoyu, the public bathhouse left behind by her late husband, Junichi. Suzuki, a liquor store owner and former classmate of Junichi who has long harbored feelings for her, supports her in this endeavor. One day, Mihoko finds a man named Toru collapsed naked in front of the bathhouse; she nurses him back to health and hires him as a live-in employee, despite his amnesia. Toru is occasionally plagued by hallucinations of intimate encounters with a woman—visions in which he has been reduced to the status of a woman's pet. Over time, he finds himself drawn to Mihoko’s kindness, but...
Emily Henry’s adaptation reaches romance movie standards, but not romance reader standards.
There’s no two ways about it — Bridgerton is horny. Shondaland’s newest venture- released on Netflix on Christmas- is certainly a spectacle to behold, just as the premise; essentially an Austenian, Regency-Era Gossip Girl, helmed by Shonda Rhimes, the reigning queen of steamy romance television. It would not be inaccurate to describe it as Jane Austen porn.
Make way for more Latine representation! Disney has released a toe-tapping musical trailer for "Encanto", which features more diversity than expected!
"A Drowning Man" (2017) explores the unseen aspects of the Refugee Crisis. In, 15 far-too-short minutes, viewers are given a detailed snapshot of what it's like for a refugee to drown in the waters of poverty and otherness while trying to navigate a land whose promise has worn off, and only 'strange' remains.
I believe in homages, but there's a proper way to borrow a creative idea instead of making it appear as if you hit the copy and paste button. Most likely, anyone is better off simply reading the books. Or just put on Scream.
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.