'Luther: The Fallen Sun', Idris Elba’s Netflix Vehicle, Fails to Make the Point
By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.

Kelly Divine and Sophie Dee are dancing by the pool. Kieran is laid back watching them when they take their dance over to his outdoor bed. The girls get him all wet as they squirt all over each other. Erik Everhard is a novelist who writes steamy romance novels that get women wet and horny. Henna Presley is the perfect subject for inspiration for his latest novel. Mr. Pete accidentally reported a fire to the city. Angelina, not happy that she was called out for nothing, decided to show Mr. Pete how she takes care of prank callers. Hosing them down with a gushing pussy! When all a girl wants to do is squirt and her husband cant fulfill, they bring those girls to Mr. Pete, sex therapist. He'll get your horny ass wife to squirt like a fire hydrant that's been run down by a car. Johnny comes home one day from work to his lovely wife Veronica and she's got some news for him. He finds out that she can squirt! Jonny jumps to the occasion and fucks the living squirt out!
By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.
Welcome to the first episode of the Incluvie Movie Highlights! We shine a spotlight on our favorite new movies that stand out for diversity and identity. Is Everything Everywhere All at Once too weird, or just the right amount of weird?
In Stowaway, director Joe Penna narrates the story of a starship crew (Anna Kendrick as Zoe Levenson; Toni Collette as Marina Barnett; and Daniel Dae Kim as David Kim) struggling with serious technical problems on a two-year mission to Mars. During the trip, they discover aboard the presence of Michael (Shamier Anderson), a stowaway who jeopardizes everyone’s life on board.
Despite its glaring flaws, First Girl I Loved is not entirely undeserving of a watch. For people who can handle the more difficult aspects of the story and graphic scenes, it is worth looking into. It’s not a film worthy of rewatch, but it may still resonate somewhat with those who need a story like this. It is a genuine, if flimsy attempt at a coming-of-age tale. Were the film to be directed by someone with experiences more similar to Anne, it would likely be more powerful--as it is, it feels like a man’s perspective of what it means to come to terms with your identity as a lesbian.
Disney's live-action remake is vibrant and beautiful, with updated music and classic enthusiasm, but it fails to push the envelope and provide nuance for Ursula.