Grief, Fate, and Destiny in 'Wolf Like Me'
'Wolf Like Me' works if you want a show to shut off your brain while watching. If you think too much, you'll hurt yourself.

Laura, in her thirties, lives alone on the outskirts of a big city. She learns that her father is in a coma, following a serious traffic accident. She decides to visit him regularly at the hospital: the opportunity finally presents itself to settle accounts, perhaps even to take revenge... But life is unpredictable and Laura's desire for revenge will lead to a reunion troubling with her family and her past. She will come out of it reconciled, with herself and with life.
'Wolf Like Me' works if you want a show to shut off your brain while watching. If you think too much, you'll hurt yourself.
Diversity is incorporated in a way that only aids in a well-rounded conveying of stories through different lenses. The show’s success is a testament to what audiences are craving: authentic stories that broaden the mind and heart.
'Air' is a fun film about a company that put it all on the line for a 22 year old kid from North Carolina
It’s the most loving tribute to cinema and to Ingmar Bergman, set in world that feels so habitable that I felt like only re-watching this for eternity, because of how inviting it looks and feels.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
The more biting satire is reserved for those on top of the power structure, such as the police, while those occupying lower levels are given more nuance and likability, even if they operate on the wrong side of the law. This principle gives Deep Cover its heart.