“Forbidden Fruits” (2026)
Not every film can make a shopping mall feel both magical and menacing, but Forbidden Fruits challenges that.

The anguish that negligent children can cause is depicted here from the parents' perspective. Raghavaraju (Prakash Raj) is a farming landlord in Atreyapuram village of Andhra Pradesh. He lives with his wife Janakamma (Jayasudha), along with his son Bangararaju (Naresh) his wife, and his son Raju (Sharwanand). Raghavaraju lives in this ancestral house built by his forefathers consisting of many generations living in the same household as a Joint family. However with changing times Ragahvarju's NRI sons and NRI daughter live in the United States, Canada, and Australia as nuclear families. After a gap of 10 years, all his children arrive in the village during the holiday season of Makar Sankranti, under mysterious circumstances after they receive an email from Raghavaraju who expresses his wish to divorce his wife Janakamma. What happens next and the events leading to this mysterious situation, and how Raghavaraju conveys his midlife crisis to his children forms the crux of the story.
Not every film can make a shopping mall feel both magical and menacing, but Forbidden Fruits challenges that.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
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