The Relentless Victimization of Marilyn Monroe in "Blonde"
'Blonde' commits a relentless assault on the autonomy of Marilyn Monroe, reducing the icon to nothing more than a victim of the director's whims.

After a talent scout spots her performing with her dog Boi at a charity gala, Sharpay Evans sets off for the bright lights of NYC, convinced instant fame and fortune are in the bag. But theatre's a dog-eat-dog world. Fortunately, Sharpay also meets Peyton, a handsome student filmmaker who finds Sharpay nearly as fascinating as she finds herself.
'Blonde' commits a relentless assault on the autonomy of Marilyn Monroe, reducing the icon to nothing more than a victim of the director's whims.
'Tuca and Bertie' (2019) is an animated series centering around best friends of the same name as they traverse the challenges of their thirties.
This Nickelodeon live-action TV series features strong Black representation.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
A best friend that will stick with you to the end, on a group trip from hell, is someone to die for.
“Unsung” does not begin to describe the obscurity Bayard Rustin endured in the shadows of the Civil Rights Movement