
After a talent scout spots her performing with her dog Boi at a charity gala, Sharpay Evans sets off for the bright lights of NYC, convinced instant fame and fortune are in the bag. But theatre's a dog-eat-dog world. Fortunately, Sharpay also meets Peyton, a handsome student filmmaker who finds Sharpay nearly as fascinating as she finds herself.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
Films and TV series often tend to misrepresent or not acknowledge bisexual characters, but recent trends show that bi-erasure is now under deserved scrutiny. So, I’m genuinely happy about the direction bi-representation seems to be taking.