The Best for Last: Newman, Woodward, and 'The Last Movie Stars'
With 'The Last Movie Stars,' filmmaker and fanboy Ethan Hawke cracks the facade of Hollywood's last golden couple, but reveals a couple who were committed to each other before all else.

The Commissioner of Police is impressed with the diligence and bravery by one of his officers named Vijay, and asks him to re-locate to a lawless town by the name of Shona Pur, which Vijay accepts. He arrives there incognito, and is faced with several challenges, including lackadaisical policemen, who have never arrested anyone. He sets out to put things right. He meets with a young woman by the name of Shanti, who is on the look-out for buried treasure. Vijay and Shanti both fall in love with each other, and both set out to locate this treasure. In order to do this they will have to go through underground caverns, snake-pits, and a gang of thieves who are known to kill anyone who get in their way.
With 'The Last Movie Stars,' filmmaker and fanboy Ethan Hawke cracks the facade of Hollywood's last golden couple, but reveals a couple who were committed to each other before all else.
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.
An artistic approach to the impact of Billie Holiday’s “Strange Fruit”.
This Netflix original series is for animal lovers and fans of light horror series.
Seeing that the film was essentially his first big, mainstream feature, and with garnering a leading role — portraying the revolutionary ball-player Jackie Robinson — Boseman, without question, delivered a performance that is still so incredibly moving, respectful, genuine, and true to the core of his obviously sincere, artistic heart; and with that, it is indeed so saddening to see him pass.
One of THE most frustrating trends in the mainstream film industry over the last several decades has been the onset of comedy efforts that seem SO focused on being crude and/or gross-out in all ways possible. That, at least for me, makes them no longer funny.