Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

The Tang emperor is betrayed by one of his generals, who installs himself as emperor in the East Capital. The son of one of his slave workers escapes to the Shaolin Temple, learns kung fu, and sets out to kill the traitor who killed his father.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
Ever heard of the bad boy type? The type of man who's sexy yet broody, or the type of man who’s dangerous but has a sensitive side? It’s a well-known stereotype that women are attracted to villains. The question is: why are we?
Films can alleviate alienation by presenting realities where the viewers feelings are shared by onscreen characters. The film 'Shrek' can be interpreted as a transgender story.
'Kajillionaire' is a touching and eccentric story about family, crime, and the search for belonging.
If you were to watch it on streaming when you have nothing to do, it’s still probably a giant waste of time, but you could do far worse. Paying $18 for a movie ticket and who knows how much for concessions turns this from an exercise in boredom to an exercise in frustration.