We needed to shake off the winter blues so we decided to throw a big party. We invited some really hot girls and we even found a Fan Pick whose dream it was to meet Billy. She brought along her husband, and they were stoked to spend the day watching beautiful women suck and fuck like crazy. I think that after Billy took on Jeanie and Envy, the Fan Picks needed to sneak away and blow off some steam. Especially after Envy stuffed Billy's enormous cock up her ass. While that was going on Samantha was losing a game of strip pool to Voodoo. She didn't mind though when he used his stick to drive it home in her pocket. Grab a and come join the party!
Its predictability shouldn’t distract from the enjoyment that the pure cinematic imagination behind the camera elicits. It is a movie of crises both moral and mortal, oozing with CGI, and thoroughly enjoyable.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
One of THE most frustrating trends in the mainstream film industry over the last several decades has been the onset of comedy efforts that seem SO focused on being crude and/or gross-out in all ways possible. That, at least for me, makes them no longer funny.
Even after a history changing event, the 93rd Oscars proved it always had the space for more inclusivity in its award ceremony. But it this enough to change the boycott?
Cord Jefferson's hilarious and thought-provoking film continues a long-standing cinematic tradition, expanding the conversation around the impact of systemic racism in today's media.
