
One time “plain Jane” Daphne Carrol returns from Paris a "polished" flapper. She sets her cap for her sister's brother-in-law, Custis Lee even though he is indifferent to her. When Custis’s brother, Jack, managing editor of the local newspaper prints a story of Daphne's return her picture accidentally appears over a news item about the escape of Sally Long from an insane asylum. Daphne gains entrance to Custis' house and poses as Sally, claiming him to be her husband. Fearful for his life, he humors her until he can engage a nurse to watch her. Daphne enjoys the joke until she discovers that her nurse is actually Sally--and Sally's husband tries to rob the Custis home. In the merry mix-up Daphne faints in Custis' arms and is forced to declare that she is his wife; after the complications are resolved, they decide to make the arrangement legal.
I can say without question, that this is the first movie I’ve ever seen where art imitates life so much that I could 100% identify with it on a personal level. The predominately Black cast of characters are people with hopes, dreams, fears, and ambitions.
Dramatic Horror!!! Wait, what?? Did you say "dramatic horror"?? IS there such a thing?? I mean, TRULY. Well, if San Francisco-based, Pakistani-born independent filmmaker Dr. Hassan Zee and this film critic have anything to say about it, there IS such a beast as experienced through the director's newest feature film set to officially debut October 4th in the City by the Bay. Folks, indie film will always be a bastion of experimentation and originality, and this film for me fits that bill.
'City of God' depicts the cylindrical cycle of violence that is forced upon the underprivileged.
Tran Quoc Bao succeeds in telling us a story about martial arts, human decay, and friendship. The originality shown by his filmmaking is admirable and brings fresh air to the classic Chinese martial arts genre.
"The Old Guard" doesn't break ground, but it sure does bust boredom and fictional heads as an entertaining action romp on Netflix.