Sgualdrina (2018)

Even without the messaging, Mercy does not hold up as a movie. It's sloppily done and the mystery doesn’t tie together at the end.

A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.

Wild Child tells the story of a wealthy, spoiled teenage girl named Poppy Moore who lives in Malibu, California, who attends a boarding school in England. This film shows us how Poppy is first labeled as a fish out of water compared to her boarding school classmates, as she is a wild child, but eventually earns her roommates' friendships and respect.

Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.

The Cycle refuses to lean into the same old, same old monster-movie tropes and builds the entire premise around the intellect and the history of a capable, smart female protagonist.

Spotlighting the legacy of the legendary Raymond Lewis through the love of a devoted daughter.