Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Sex Pistols: There'll Always Be an England poster

Sex Pistols: There'll Always Be an England (2008)

There'll Always Be an England' - named after Vera Lynn's stirring intro music - was recorded on Saturday, November 10th and captures the energy and excitement of the band and the crowd. The whole of the classic 'Never Mind The Bollocks' album is performed, together with a mixture Pistols cover versions, b-sides and even an impromptu crowd sing-along of 'I Do Like To Be Beside the Seaside'.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


There'll Always Be an England' - named after Vera Lynn's stirring intro music - was recorded on Saturday, November 10th and captures the energy and excitement of the band and the crowd. The whole of the classic 'Never Mind The Bollocks' album is performed, together with a mixture Pistols cover versions, b-sides and even an impromptu crowd sing-along of 'I Do Like To Be Beside the Seaside'.

Rating:
Genre:Music
Directed By:Julien Temple
Written By:
In Theaters:10/13/2008
Box Office:

Runtime:71 minutes
Studio:FremantleMedia North America

Articles You May Like


My Movie Starring Paul Dano: A Hilarious Fever Dream With or Without Paul Dano

Unrelentingly funny, highly entertaining, and ridiculously absurd, My Movie Starring Paul Dano is, according to its creator, Joe Bartone, a tribute to the willful ignorance of independent filmmaking found in the late '70s in New York City. Developed through open discussions with the cast at the reading table, the mockumentary follows a delusional and fame-starved indie director, Herman Rumowicz, through the process of making his very first feature movie starring Paul Dano.

Simina Munteanu

'Oxygen': Mélanie Laurent Helps Elevate a Familiar Premise

These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.

Matt Geiger