Kate Called the Shots in 'Call Me Kate'
'Call Me Kate' is for the fans. It's an intimate account of an iconic film star.

Kudret is a young man who earns his living performing stunts on a motorcycle. He wants to marry Emel, but standing between them is Emel's mother, Selma. Determined to prevent the marriage, Selma conspires with Cihangir, a wealthy businessman she wants her daughter to marry, and Kudret is sent to prison for a crime he did not commit. From then on, events unfold in a manner reminiscent of The Count of Monte Cristo. Kudret plans an escape with a fellow inmate he has befriended behind bars. During this time, he learns the location of a large fortune from his friend. However, during the escape, Kudret loses his friend. Betrayed, slandered, and with his pride shattered, Kudret returns to seek revenge.
'Call Me Kate' is for the fans. It's an intimate account of an iconic film star.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
Zombie apocalypses have been metaphors for late-stage predatory capitalism, but never a system disrupter that brings about freedom.
'Zombieland: Double Tap' was entertaining and fun at times, but not very evolved. It had poorly developed female characters and stereotypical characters of color.
The definition of the word foul is “offensive to the senses,” which is a pretty good summation of the new Disney+ film, Artemis Fowl