The Women and the Murderer: Made by Women for Women
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.

After five years of marriage, their relationships have come to a dead end – no kids, no common interests, almost no more love is left… When the wife asks for divorce, the husband tries the last remedy to cure their relationships – a scientific method known as "7 dinners"...
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.
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The beating heart of this film is the relationship between Anna Osborne and Sonya Rockhouse.