‘Thunderbolts*’—A Spark of Hope in Dark Times
After years of mediocrity, Thunderbolts* is the welcome change MCU fans were waiting for.

Seven Days ‘til Sunday, the first of three Jolley/Reynolds film collaborations, is a sequence of short episodes in which headless figures fall through the architecture of New York, incinerate in their own living room, detonate on wet ground. This strange depiction of anonymous, marginalised individuals meeting their end amid relentless urbanisation provides the imagery, but beyond the particularisation of their fates ‘the narrative stands for the tragi-comedy of life itself in a remote, indifferent universe.’
After years of mediocrity, Thunderbolts* is the welcome change MCU fans were waiting for.
I have talked with founder of Red Nation Television Network, Joanelle Romero, and the future of Indigenous representation looks bright.
Zombie apocalypses have been metaphors for late-stage predatory capitalism, but never a system disrupter that brings about freedom.
A movie that brings Indian culture with classic Bollywood themes and electronic dance music.
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.
A group of criminal animals tries their best to reform themselves into good citizens to avoid serving time in prison.