'The Invisible Man' (2020): The Hiddenness of Domestic Abuse
The 2020 remake of 'The Invisible Man' explores the hidden nature of domestic violence with a classic sci-fi character.

Seven Days ‘til Sunday, the first of three Jolley/Reynolds film collaborations, is a sequence of short episodes in which headless figures fall through the architecture of New York, incinerate in their own living room, detonate on wet ground. This strange depiction of anonymous, marginalised individuals meeting their end amid relentless urbanisation provides the imagery, but beyond the particularisation of their fates ‘the narrative stands for the tragi-comedy of life itself in a remote, indifferent universe.’
The 2020 remake of 'The Invisible Man' explores the hidden nature of domestic violence with a classic sci-fi character.
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.
Those perfect Summer or Fall days. The sun is shining, the temperature is JUST right, and you've got nothing else to do. Therefore, isn't it time to get outside and take a nice stroll through the park, or along the shoreline (should you be that fortunate), or even just around the neighborhood? Sure. BUT.....if one lives in the America found in the newest film adaptation of the work from horror author/cultural icon Stephen King.....doing this SHOULD be the LAST thing you hope to find yourself engaged with.
"Be good. It doesn’t mean you can’t be tough. It doesn’t mean you always have to be nice. Just be good."
“Ad Astra” is a film that possesses similar beats to sci-fi classics, falling into the realm of cinematic hypnotism, and pulling us in with its mysteriously intoxicating identity.
Spirited inverts the tropes of the holiday musical genre to update an age-old tale for 2022. It's a paean to those who make grand spectacles possible.