"September 11: The New Pearl Harbor" is a 5-hour documentary that summarizes 12 years of public debate on 9/11. While aimed primarily at a general, uninformed audience, the film also contains some new findings that may be of interest to advanced researchers.
Moonlight is a film that will certainly be remembered for how it won Best Picture, but the movie itself should be known for its excellent representation of one of the most underrepresented groups in film: Black, gay men.
Miley Cyrus shares her struggles as a songstress with a young audience, all while staying upbeat for the Disney brand.
The three themes of lessons learned from HBO Max's Station Eleven are the same as the pandemic: love, regret, and art.
New horror film "Pretty" is good to look at thanks to 19-year-old director Metecan Duren.
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.
At Coopers Chase, murder isn’t just tragedy—it’s Thursday’s entertainment. Chris Columbus’ The Thursday Murder Club transforms Richard Osman’s bestselling series into a cozy, clever whodunit where Helen Mirren, Pierce Brosnan, Ben Kingsley, and Celia Imrie prove that life’s sharpest twists don’t stop with age. With llamas on the lawn, cakes at the ready, and secrets around every corner, this star-powered mystery balances charm, humor, and heartache, reminding us that friendship, resilience, and reinvention might just be the ultimate clues.
