The Dashwood sisters, sensible Elinor and passionate Marianne, learn that their prospects of marriage seem doomed by their family's sudden loss of fortune. After Henry Dashwood dies unexpectedly, his estate must pass on by law to his son. These circumstances leave Mr. Dashwood's wife and daughters without a home and with barely enough money to live on. As Elinor and Marianne struggle to find romantic fulfillment in a society obsessed with financial and social status, they must learn to mix sense with sensibility in their dealings with both money and men.
Ang Lee
Director
Emma Thompson
Elinor Dashwood
Kate Winslet
Marianne Dashwood
Alan Rickman
Colonel Christopher Brandon
Hugh Grant
Edward Ferrars
Gemma Jones
Mrs. Dashwood
Greg Wise
John Willoughby
Elizabeth Spriggs
Mrs. Jennings
Imogen Stubbs
Lucy Steele
Harriet Walter
Fanny Ferrars Dashwood
James Fleet
John Dashwood
Imelda Staunton
Charlotte Jennings Palmer
Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.
Dramatic Horror!!! Wait, what?? Did you say "dramatic horror"?? IS there such a thing?? I mean, TRULY. Well, if San Francisco-based, Pakistani-born independent filmmaker Dr. Hassan Zee and this film critic have anything to say about it, there IS such a beast as experienced through the director's newest feature film set to officially debut October 4th in the City by the Bay. Folks, indie film will always be a bastion of experimentation and originality, and this film for me fits that bill.
The Brazilian filmmaker Alexandre Alonso’s Hunter is a film with a lot of ideas, but with very little holding those ideas together.
As a whole, Sightless pushed boundaries between illusion and reality. It made viewers question if there really is a difference. Ellen was strong, brave, and even compassionate given her situation. She was a force to be reckoned with.
The Weight is highly recommended, will transport you back to its Great Depression-era setting and will have you rooting for the protagonist harder than most films this year
It’s fun, it’s energetic, but it’s also understated and vicarial. Zola is a modern black fairytale and future of black movies.