Sofia Coppola’s ‘On the Rocks’
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.

Based on true events. On the edges of Las Vegas, 17-year-old Andrew's life is spiraling out of control. Unable to cope with the loss of his father, Andrew's descent into drugs and violence is gaining momentum, and the once promising young man is now headed for self-destruction. Andrew's mother, helpless to control her son and fighting an addiction of her own, refuses to watch idly as her only child destroys himself. As a last resort, she hires a private company to forcibly kidnap and confine him in a locked-down and corrupt psychiatric hospital. As Andrew is subjected to the secret physical and emotional abuses of the program something inside him is re-awakened. He must somehow get free to save what's left of his life, but to do that, he knows he must first face his own demons head-on.
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.
Alongside A Drowning Man, I Signed The Petition, 3 Logical Exits, and A World Not Ours, A Man Returned continues to paint a realistic portrait of the Refugee Crisis that eschews the Western gaze and stereotype. These are real portraits painted by a director with lived experience, cultural connection and an amazing eye for visuals.
Clearly, in the end, Allison raised a responsible child because she knew that her "friend" was doing something that made her uncomfortable and turned away from her. No worries, Super mom was already one step ahead of her.
Hokum is an enjoyable horror film that will probably get a little under your skin, but it isn’t the tour de force that you might be expecting.
Growing up is a challenge for everyone.