"Backrooms" Succeeds
We got a movie that takes the old school approach of trying to creep you out with chilling atmosphere more than anything else.

Homma, a shy and hard-working car mechanic, said goodbye to Mao (Maya Sawamura), a delivery health girl who has forgiven her heart for three years. This is because he started dating with an office lady named Yurie (Meguri) who he met at a matchmaking party and got engaged. Mao was a little jealous when he realized that he secretly loved Honma, but wished for the relationship between adults and the happiness of Honma. On the way home one day, Homma found a dirty kokeshi doll, cleaned it with a handkerchief moistened with water, and placed it on the flowerbed. That night, a strange young woman (Yui Kawagoe) visited the room. She forcibly went up to the room and said that she was a kokeshi doll...
We got a movie that takes the old school approach of trying to creep you out with chilling atmosphere more than anything else.
It's good for your film viewing needs, but isn’t going to shake your world. Demonic is trippy sci-fi fun, and that’s about it. And that's pretty cool.
Cord Jefferson's hilarious and thought-provoking film continues a long-standing cinematic tradition, expanding the conversation around the impact of systemic racism in today's media.
Movies also have the ability to make the audience think deeper about an issue that plagues society. "Blindspotting" does that without shying away from the intense reality of police brutality and racial discrimination.
This horror movie combines elements of horror and babysitting with Black representation.
Disney has a glaring and, up until recently, unaddressed issue that spans nearly its entire lifetime - an absence of diversity.