"Tow" Tells the True Story of a Woman Who Sued the System
Not only does the system prevent upward mobility, but it makes it incredibly easy to slide from comfortably middle class to unhoused.

After Haryani's father remarries another woman, Haryani (Siti Khadijah Halim) frequently rebels by blaming her mother, Maimun (Sharifah Shahora) for allowing this to happen and for her father leaving them. Haryani is unaware that she has been influenced by the words of her grandmother, Nek Yah (Azizah Mahzan) who still harbors resentment and views Maimun's decision to marry Hazwan as a mistake. Haryani's troublesome and excessive behavior causes Maimun to want to send her daughter to continue her studies at an Islamic college in Kuala Lumpur with the intention of guiding Haryani in a better direction. Haryani is outraged, viewing her mother's decision as an attempt to drive her out of the house. However, Nek Yah changes Haryani's mind when she tells her about a wealthy man named Azlan who also lives in Kuala Lumpur. Azlan (Niezam Zaidi) and Nadira (Zara Zya) are engaged and only waiting for the moment to be married.
Not only does the system prevent upward mobility, but it makes it incredibly easy to slide from comfortably middle class to unhoused.
In The Novelist's Film, Hong explores the meaningful things people share and inspire by virtue of simply engaging with one another.
Death on the Nile (1978) film mindless entertainment playing out on sets and wonders larger than the stakes, both of these films fail to live up to the hype of Agatha Christie's mystery. Check out cast & characterless controversy.
Escape The Field is a serviceable horror thriller. The characters are easier to remember as horror character tropes. As I wrote this review, I only remembered the characters by their tropes: #FinalGirl, #Everyman, #Badass, #MeanB*/SexyGirl, #Realist/BlackLesbian, and #TheNerd.
It’s not often in America that you turn on the TV and see a show or a movie with a Muslim protagonist. And when they do, they're usually a negative stereotype. Ms. Marvel changes all of that.
The gentle, emotional nuances of Evan’s coming-of-age story would have been so beneficial to have incorporated into the life of a POC character. Showing a Black, Asian or Latino young man that is afforded the space to be vulnerable, flawed and sensitive while driving a compelling and widely-loved narrative would have been a game changer.